Yato and hiyori meet the browns

Noragami~ Meeting of Hiyori & Yato | noragami | Pinterest | Manga, Noragami manga and Anime

yato and hiyori meet the browns

Among the rather drab browns and creams of the mares he should be easy to spot. He was the color Some extra pics of Sanna and Maeve at yesterdays meet. Noragami is a supernatural action series with a hint of romance produced by While not all the shows in this new wave are gems (or even good), Noragami is a . plaguing the countryside, and when Hiyori meets a strange boy in the forest, Rated: Fiction T - English - Drama/Romance - [Hiyori I., Yato] - Chapters: 13 . The dark greens and browns of the forest took on a strange light.

He uses an array of varied and unique shot compositions to bestow the movie of a sense of both grandeur and intimacy.

Iki Hiyori

Sharp editing techniques are used to keep the film moving at a brisk pace as well as being used to great comedic effect; while dissolve transitions are used to create a dreamy texture that endows the movie with a sense of nostalgia. Kon uses a multitude of color schemes throughout the movie, all of which he uses brilliantly to paint the emotions running through every scene.

Sometimes scenes will be tinted in browns or grays as if they were old photographs, other times they will be brimming with vivid colors. The movie benefits from being animated, as it captures someone sorting through their memories in a way live-action could never accomplish.

Though Kon uses an impressive assortment of visual technics, it never feels as if he is needlessly showboating, everything is done in service of the story. His electro-pop opuses are as musically complex and unique as ever, but are gentler and warmer here, infused with a sense of humanity and emotion which is rarely found in electronic music.

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There is also a wonderfully frantic piano piece which is incredible at creating tension. Of course, a soundtrack is only as good as it is implemented, and the music in Millennium Actress is used magnificently. It often starts softly, as if to illustrate Chiyoko recollecting how she felt at a certain time; then swells at times of revelation, encapsulating the emotions attached to that memory. To put it simply, Millennium Actress is a pretty much flawless movie.

It is a fine example of what makes movies and animation so magical; taking the audience on a journey through a lifetime of memories that would otherwise be impossible to experience. While she initially doesn't like Yato much, considering him to be very lazy and selfish due to him constantly putting off her request and blowing money on useless trinkets, she gradually warms up to him after seeing his better qualities, and after Yukine's punishment, the three become very close friends and she treats Yato much nicer.

Hiyori is also a very brave person who constantly puts her own safety at risk to help others, especially if it is Yato or Yukine; when Yato's body is blighted, she does not hesitate to carry him on her back despite her knowing that the blight is infectious.

Hiyori is heavily implied to have developed feelings for Yato; although Hiyori wishes to return to being completely human, she also has no desire to sever her ties with Yato, having refused several times despite it being her best chance to return to normal and Tenjin believing it's what was best for her, claiming she wants to spend more time with Yato. In the English dub of the anime, she even goes so far as to say there's no way she'd be happy without him and Yukine in her life.

She also takes a strong liking to his smell, even calling it her favorite smell on one occasion, and at one point was even able to regain her memories by recognizing it. However, she is shown to be rather embarrassed by how much she likes Yato's scent, to the point of dodging the subject whenever it's brought up.

Where Spirits Tread Chapter 1: The Forest of Towering Pines, a noragami/ノラガミ fanfic | FanFiction

Despite being raised to be completely lady-like, Hiyori is a huge martial arts fan and has a fixation on a martial artist called Touno, whom she copies her attacks from and will often become inspired and act on his words; when she remembered Touno telling everyone to pave their own destiny with their own hands, she followed his advice and attempted to find Yato a Regalia by herself. However, she keeps this secret from her mother, whom she worries will freak out if she finds out she's into something like that.

She is pure and loves people. Merchant travel had slowed. Markets were nearly empty. Everyone was watching—and waiting. The dim afternoon was beginning to bleed into sunset—the grey of the sky, what little of it Hiyori could see through the thickness of the treetops, was changing to orange as dusk drew near.

The dark greens and browns of the forest took on a strange light, as though they were something of another world. Hiyori tightened her shawl around her shoulder.

She bustled farther down the path. Hiyori was waiting, too, though—for something to happen. For answer, as much as anyone else.

yato and hiyori meet the browns

Like village elders were, as they crowded around their shrines, praying to gods for mercy, forgiveness, and protection. Like the children were, as they clung to their parents, who understood no more than they did themselves. And Hiyori feared it like they did, too. Not only for herself, but for her father, too. Oda's reputation preceded him. Especially since the many of the regional doctors had left in search of better work and pay, on the battlefields near the Capital.

What he could offer was in high demand, and it had him traveling from village to village consistently.

yato and hiyori meet the browns

And Hiyori worried for him, as did her mother. And with the recent happenings… Travelling was dangerous, especially by oneself. But Oda refused to cease his efforts. After all, whoever—or whatever—was lurking was still out and about, uncaught, waiting to wreak havoc. Anyone could be hurt. Anyone could be killed.

The sound of dirt, crunching under her sandals, ceased; and all she could hear was the stillness of the woods, her own breathing, the rapid beat of her heart, and— —The tree branch, crackling and whining. Hiyori's breath caught in her throat. She felt her heart cease to beat, her hands trembling around the knot of her shawl. She recalled the rumors of the killings, and the fear that came that took root in people with it. She felt it in herself, too. It curled and roiled, deep in the pit of her stomach, making her limbs shake and giving her the desire to heave.

But despite it all, she could not bring herself to run, or move, or breathe. All she seemed to be able to do was stare—down the path, through the trees, where the brilliant orange light of sunset filtered down into the forest of towering pines.

She prayed to the gods—if any might hear her—for mercy.